DC Shows To Get Pumped For This Week…
BYT Staff | Nov 12, 2012 | 9:00AM |

Look, it’s simple: Every week we’ll be bringing you  all the information you can handle about the cool concerts to hit up in D.C. this week.  Don’t say we don’t love you.

Pete Holmes is a comedian. He has appeared on pretty much every VH1 comedy show there’s ever been including the popular “Best Week Ever.” Pete’s also been on Comedy Central’s “Premium Blend” as well as his own half-hour Comedy Central Presents, had his cartoons appear in “The New Yorker” and is the host of the Nerdist.com podcast “You Made It Weird.

You may like Pete Holmes if you like: Laughing, nerdy things.

>>>>>>>>>>>> Here is a Featured Event >>>>>>>>>>>>
Friday 02/24
Paul Zerdin WINNER of Americas Got Talent Live at Arlington Drafthouse @ Arlington Cinema & Drafthouse
$30 / $30
“Technically immaculate, it’s what he does with his slick talent that really sets him apart. His relationship with the characters has all the dramatic tension of a real life double act” – The Guardian Paul Zerdin has helped make ventriloquism cool again. From the Royal Variety Performance to the Edinburgh Fringe Festival, to India’s comedy circuit, Montreal’s Just For Laughs and UK tours with his Sponge Fest show and forthcoming Puppet Master tour. Paul’s fresh twist on this traditional comedy art has impressed everyone from Her Majesty the Queen onwards. “It is Zerdin’s sharp script that is the heartbeat of the show” – The Times Crucially, Paul Zerdin appeals to both comedy club and mainstream audiences in equal measure. The UK’s number one ventriloquist’s career has included appearances on everything from the Royal Variety Performance, Paramount and Comedy Central’s, The World Stands Up to ITV Daybreak, BBC TV’s The One Show, Sky News and Jason Manford’s Comedy Rocks. **** "Pure audience gratifying magic” – Time Out With Paul’s winning combination of technical skill, hilarious ventriloquism, charm and impeccable comic timing, Paul Zerdin’s live shows see him bring to life several very different characters amongst whom are the cheeky pre-adolescent Sam, belligerent OAP Albert and precocious infant Baby and in 2012 on his Puppet Master live tour, Paul will be introducing a new character! “I see myself as a one man Muppet sitcom, reining the characters in” commented Zerdin. “The old man has a thing for the ladies and so does Sam who is about to become a teen and knows naughty words. Between the two of them they lead the baby astray and the baby, of course, wants to know everything. I think it is important to have characters that people can relate to rather than, say, talking sheep which are less believable”. Simply put, Zerdin is the man who can make ventriloquism look cool” – The Stage Zerdin, who got the ‘biggest laugh of the night’ at the Royal Variety Performance in 2009, according to audience members, also went on to get 5 star reviews at that year’s Edinburgh Festival. Paul returned to Edinburgh to sold-out houses in 2010 and made his debut at Montreal’s Just For Laughs Festival that year before embarking on a major UK tour with Sponge Fest in 2010/2011. That Paul Zerdin should make his career in show business is not entirely unexpected “my mother was a BBC Radio 2 presenter and my father worked for the BBC World Service, so my sister and I spent a lot of time in the studios”, he reveals. When Paul was 10, a family friend made him a puppet theatre which he used to put on shows. As he is the first to admit, his hobby quickly grew into an obsession. “The real turning point was when I was given a book on ventriloquism by the legendary Ray Alan. By the time I hit my teens I was spending half an hour a day in front of the mirror practising talking without moving my lips.” Having failed his GCSE’s in spectacular style, Zerdin got a job in a magic shop, developing his magic skills along the way. Simultaneously, he was also developing a sideline as a children’s entertainer. “Compared to my friends and their measly paper rounds, I was raking it in!” he laughs. Zerdin made his TV debut as a magician on the BBC’s Tricky Business and shortly afterwards, at the age of just 20, landed a two year contract presenting the Disney produced kids’ programme Rise and Shine for GMTV. In 1996, Paul was the first outright winner – by over 100,000 votes of LWT’s The Big Big Talent Show, hosted by Jonathan Ross. The experience not only raised his profile, but introduced him to Nigel Lythgoe, the man who would go on to create reality shows such as Popstars and American Idol. Lythgoe took the 22 year old Paul under his wing, paving the way for appearances on scores of shows, Tonight at the London Palladium, and Generation Game among them. It was Nigel who gave Paul his first brush with Royalty when he secured him a spot on the Prince’s Trust Gala Show in 1997. “That was a totally surreal experience”, he laughs. “I was sharing a dressing room with Julian Clary, Alan Davies and Frank Bruno with The Spice Girls next door”. By the late nineties it was obvious that traditional variety shows were losing their appeal and it was then that Zerdin decided to introduce stand-up into his routine, a decision that has paid off handsomely. From Ray Alan through to Keith Harris, ventriloquists have been a staple of UK entertainment for years, but it has taken Paul Zerdin to bring his mix of stand-up and ventriloquism to the forefront of contemporary entertainment to truly put ventriloquism on the comedy map.
>>>>>>>>>>>> Ok, back to the article! >>>>>>>>>>>>

Like Syd Barrett, a common point of reference, Roky Erickson rose to cult-hero status as much for his music as for his tragic personal life; in light of his legendary bouts with madness and mythic drug abuse, the influence exerted by his garage-bred psychedelia was often lost in the shuffle.

You may like Roky Erickson if you like: Syd Barret, Howlin’ Wolf, The Rolling Stones

If you’ve tuned into the internet over the past couple of months (and you have), you might have seen Macklemore & Ryan Lewis’ rise to internet fame with their videos for ”Thrift Shop” and “Same Love”.  The music is pop-catchy and intelligent, something not so easy to find in today’s chart toppers. To say we’ve been looking forward to this sold-out show since it went on sale is an understatement.

You may like Macklemore & Ryan Lewis if you like: Childish Gambino, Schwayze & Cisco, The Streets (sans the beats)

Death Grips is a difficult yet enthralling project, where the glitched-out productions of blastbeat drummer Zach Hill and keyboardist Andy Morin accent the violently yelled raps of vocalist Stefan Burnett. After a public falling-out with Epic Records, the band nonetheless continues to tour and provoke The Man.

You may like Death Grips if you like: Kendrick Lamar, Mr. Muthafuckin’ eXquire, Shabazz Palaces

HitRecord is unlike anything you’ll see this week (and we can promise it’s the only chance you’ll get at participating onstage with host Joseph Gordon-Levitt). Stemming from Gordon-Levitt’s collaborative, public production company HitRecord, the HitRecord on the Road Tour showcases the best of the site’s finished products (each piece involving multiple contributors adding to another’s work).
You may like HitRecord hosted by Joseph Gordon-Levitt if you like: short films, animation, audience participation, well-tailored vests, “Third Rock from the Sun.”

Quintessential English Rock & Roll band, The Who head back on tour for the first time in four years, with the surviving members Roger Daltrey and Pete Townshend at the helm.  This time around they’re focusing on Quadrophenia, a concept album that boasts such hits as “Love, Reign O’er Me” “The Real Me” and “5.15”.  I mean, who doesn’t want to be enveloped in the sights and sound of an arena rock show?

You may like The Who if you like: The Kinks, The Rolling Stones, The Clash, David Bowie, Music in general

Categorizing Deerhoof has always been historically difficult in the history of music journalism/critique/discussion, if for no other reason than the fact that their plus-or-minus 11 self-produced albums are all over the map. Since 1994, Deerhoof have been writing/producing/performing tracks that are sometimes experimental, sometimes lo-fi, sometimes poppy, sometimes funky. Sometimes they’re a mix of all, sometimes none. But one thing is certain: their Tuesday show at Ottobar is going to be a lot of fun (and it’s certainly worth a drive up to Baltimore).

You may like Deerhoof if you like: Liars, The Fiery Furnaces, Dan Deacon

Since forming in 2007, The Revivalists have rightfully earned their reputation as the next breakout band from the music capital of New Orleans. The group’s blend of soulful, syncopated rock and earnest songwriting comes to life through a meticulously crafted and ever-evolving live performance.
You may like The Revivalists if you like: Anders Osborne, The Dirty Guv’nahs, J Roddy Walston and The Business

An indie act and killer songstress for as long as I can remember, Mirah writes the kind of pop music that hits the heart and gets stuck in your head, without making feel brain dead.  She’s sharp, witty and emotional.  Everything us girls love and more.

You may like Mirah if you like: The Blow, Azure Ray, Thao and The Get Down Stay Down, Jenny Owens Young

It didn’t take long for Matthew Dear to catapult himself into the front rank of microhouse producers, emerging in the early 2000s with a string of high-quality releases for Spectral Sound, Plus 8, and Perlon. Dear broke out in 2003 with the singsongy single “Dog Days,” at once a DJ favorite and something of an indie crossover, and continued to switch between (and sometimes fuse together) track- and song-oriented material.

You may like Matthew Dear if you like: Ricardo Villalobos, Kraftwerk, Frankie Knuckles, Richie Hawtin, dude-babes making beats

A producer capable of using the Akai Music Production Center (aka the MPC, a drum machine and sampler) on the fly, AraabMuzik was inspired by the likes of Dr. Dre, Swizz Beatz, and Just Blaze but is known to incorporate samples from high-gloss trance singles into his output. The Providence, Rhode Island native creates hard-hitting beats swathed in dramatic strings, spiked with repetitive piano and synthesizer vamps, and switches between stripped-down and layered arrangements to equal effect.

You may like AraabMuzik if you like: Flying Lotus, Danny Brown, Clams Casino, ’90s trance

The Northern Irish punk-pop trio Ash were tentatively formed in 1989, when childhood mates Tim Wheeler and Mark Hamilton received guitars for Christmas and established a metal act named Vietnam. Following a handful of shows, Vietnam adopted the Ash moniker in 1992 and added Rick “Rock” McMurray on drums. The musicians shared a love for the raw British punk of the Buzzcocks and crafted their musical talents to take the Brit-pop scene by storm at the start of the decade.

You may like Ash if you like: Well, damn, so many amazing 90s bands — Oasis, Teenage Fanclub, Blur, Foo Fighters, Green Day, Matthew Sweet, Super Furry Animals, Supergrass, Weezer

Most importantly, it was one of the first bands to receive a perfect 10 out of 10 score from Pitchfork for Source Tags And Codes. Revealing secrets of their longevity, the core members of …And You Will Know Us by the Trail of Dead – Conrad Keely and Jason Reece – are back with their seventh longplayer. Aptly titled, TAO OF THE DEAD, …Trail of Dead (also lovingly known to some as the band that won’t die) come back yet again with a surprisingly forceful yet sophisticated new album that evokes a refreshing nostalgia (paying faithful homage to Pink Floyd, Rush, Yes, and Neu!…yes NEU!).

You may like Trail of Dead if you like: At The Drive In, Black Rebel Motorcycle Club, Inteprol, Mercury Rev, Brian Jonestown Massacre, The Dismemberment Plan

To deny Conor Oberst’s musical influence over what is arguably not one but two generations of songwriters by the age of 32 is at the very least contrarian and at very most completely incorrect. Oberst’s projects range from Bright Eyes to solo work, from Monster of Folk to Desaparecidos. He’s become one of indie/folk/rock’s mainstays, beginning his career in the glory days of Saddle Creek in the early ’90s and to see him live is somewhat of a retrospective of music/feelings/that one time in high school you held that one kid’s hand once.

You may like Conor Oberst if you like: M. Ward, The Faint, Jenny Lewis, The Low Anthem, Elliott Smith

Hailed by Rolling Stone as “a genre unto herself,” Kaki King is a true iconoclast, a visionary musician/artist whose singular work rightly stands out amongst the easily formatted. Over her decade-long career thus far, the Brooklyn-based guitarist/composer has recorded five extraordinarily diverse and distinctive LPs, performed with such icons as Foo Fighters, Timbaland, and The Mountain Goats, contributed to a variety of film and TV soundtracks (spanning Golden Globe-nominated work on Sean Penn’s Into The Wild to scoring – and appearing in as guitar-playing hand double – the acclaimed 2007 drama, August Rush), and played to ever-growing audiences on innumerable world tours.

You may like Kaki King if you like: Vetiver, The Books, Land of Talk, Final Fantasy, American Analog Set

Coming to grips with the Sword’s unlikely genesis in the alternative music Mecca of Austin, TX, leads one to wonder whether heavy metal has finally become hip again. Depending on your generation, nothing will seem as simultaneously preposterous (Gen-X’ers who came of age during pop-metal’s heyday and don’t recognize it as an unrepresentative anomaly) or obvious (everyone else) when discussing a genre that’s spent the bulk of its 40-year history on the absolute fringe of rock culture. Some call their style “retro metal,” while others prefer the old term “stoner metal” — I think both are accurate.

You may like The Sword if you like: Mastodon, High On Fire (at Rock And Roll Hotel next Friday!), Wolfmother, Torche

Take a load off with some smokey, sensitive soul. Ray LaMontagne is so sensitive and such an outsider, in fact, that he avoided getting involved in music by spending his time reading Fantasy books in the woods and drawing Dungeons & Dragons characters. (Strangely endearing.) He subsequently became a musician, crafting four studio albums influenced by Soul, Motown, Country, Acoustic Rock and Folk, and is perfect for a date or some quiet reflection.

You may like Ray LaMontagne if you like: The Band, Van Morrison, Nick Drake, Stephen Stills

Brooklyn’s Darwin Deez is skilled at mixing sunshine pop with some indie attitude and lo-fi dissonance. The best part? He’s been known to drive audiences crazy with his offbeat, Napoleon Dynamite-like dance routines mid-set.  He won over a slew of our interns last year and he’ll win you over too with his pop affections.

You may like Darwin Deez if you like: Beck, The Strokes, Bombay Bicycle Club, Tokyo Police Club, The Drums

OK, D.C., let’s get a little diva up in here. Aretha Franklin is coming to DAR and she’s worth every penny. One of the world’s most influential soul singers (not to mention gospel, jazz, blues, pop, the list goes on), Franklin’s got a repertoire with some of the biggest hits in the history of music. She will probably perform “Respect.” She will probably perform “Think.” She will probably perform “Chain of Fools.” She will probably perform “You Make Me Feel Like a Natural Woman.” You should probably not miss this living legend.

You may like Aretha Franklin if you like: c’mon, get out of here if you need us to tell you what this soul queen sounds like.

Equally influenced by diverse artists like Devo, Talking Heads, Scratch Orchestra, Raymond Scott, and Conlon Nancarrow, electronic music composer Dan Deacon studied electro-acoustic and computer music composition at Purchase College in New York. Later in life he moved to Baltimore, MD, and became an instant figurehead of the city’s fledgling electronic music community, joining the Wham City collective and evangelizing his and his fellow whimsical peers’ “future shock” output.

You may like The Sword if you like: Matmos, Animal Collective, Caribou

You’ve probably never seen Led Zeppelin and never will, unless you were born roughly 40+ years ago and/or you managed to get tickets to that show in London a couple years back–if the latter is the case, color us jealous). Luckily, Lez Zeppelin, one of the most famous and talented tribute bands in the world, is coming to the State Theatre this week and while it’s no Zepp, it’s the closest you’re going to get–let’s be real, as far as replicating one of the most famous rock bands of all time, seeing an all-female band slaughter these songs is pretty awesome. And, full disclaimer, the fact that they’re not Zeppelin might not even bother you given the fact that Lez Zeppelin shows–given the thumbs-up by the likes of Chuck Klosterman, Bonnaroo and sold-out audiences around the world–historically whip the audience into a frenzy. Dancing days are here again.

You might like Lez Zeppelin if you like: Led Zeppelin, obviously.

In 2006, Ross founded Maybach Music Group, a label imprint that includes emerging rap stars Meek Mill and Wale. Maybach Music Group will bring Rick Ross, Meek Mill and Wale to perform a headline set with special guest Machine Gun Kelly and host DJ Scream at the Patriot Center.

You may like The MMG Tour if you like: Clipse, T.I., Young Jeezy

  • November 18 @ Sixth & I The MAGNETIC FIELDS

When The Magnetic Fields came through town last spring, their show sold out almost instantly. Fast forward to November and their show at Sixth and I sold out too, leaving many in the Merrickless cold. If you got your ticket, congratulations, and you’ve got good reason to get pumped (if you didn’t get a ticket, try selling a kidney). The Magnetic Fields have become mainstays in the quirky-and-melancholy realm of “Indie,” with give or take 10 albums full of some flawless musings on love, bitterness, worry and living.

You may like The Magnetic Fields if you like: Yo La Tengo, Belle & Sebastian, Jens Lekman, the sound of your own heart breaking

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