Restaurants & Bars

Vegan News Even Carnivores Will Care About

priyakoningsJuly 17, 2018

The future is plant-based. ...

Eat & DrinkRestaurants & Bars 15 min read

China Chilcano Celebrates Summer with All the Ceviche You Can Eat

Kaylee Dugan and Clarissa VilondoJuly 17, 2018

China Chilcano is setting you up for success if you're looking for a place where you can eat your weight in citrus cured fish....

Eat & DrinkPhotosRestaurants & Bars 14 min read

D.C.’s Best Summer Tiki Bars

Kaylee DuganJuly 11, 2018

You're on island time now....

Eat & DrinkRestaurants & Bars 05 min read

Drink Margaritas Out of a Teacup at La Vie

Kaylee Dugan and Nicholas KarlinJuly 10, 2018

Take the elevator up and you're transported to a different world....

PhotosRestaurants & Bars 06 min read

Your Best July

BYT at largeJuly 2, 2018

Your best month of explosions ...

ArtBeerBooksEat & DrinkFeaturedFilm & TVFunny StuffMusicRestaurants & BarsSports(?) & FitnessStuff To Do In DCTheatre & Dance 040 min read

A Taste of Armenia with Chef Carrie Nahabedian at Zaytinya

Jose Lopez-Sanchez and Anna Kathryn StevensJune 29, 2018

A wonderful representation of Armenian cuisine to kickoff the Folklife Festival...

Eat & DrinkRestaurants & Bars 04 min read

D.C.’s Newest Indian Restaurant Is a Vegetarian Paradise

Kaylee Dugan and Clarissa VilondoJune 28, 2018

Pappe is here....

Eat & DrinkRestaurants & Bars 04 min read

Wasted Away Again At Jack Rose’s Tiki Bar

Kaylee Dugan and Nicholas KarlinJune 26, 2018

Looking for my long lost hangover cure...

Eat & DrinkPhotosRestaurants & BarsStuff To Do In DC 26 min read

A buen dia: Buena Vida opens in Silver Spring

priyakoningsJune 25, 2018

A legit Mexican spot finally opens in Silver Spring ...

Eat & DrinkPhotosRestaurants & Bars 13 min read

Pow Pow Has the Vegan Drunk Food You Need

Kaylee Dugan and Nicholas KarlinJune 13, 2018

All vegan food should be fried...

Eat & DrinkPhotosRestaurants & Bars 26 min read

Rammys 2018 Photos

BYT at largeJune 11, 2018

Shots from restaurant prom ...

Eat & DrinkPhotosRestaurants & Bars 011 min read

PHOTOS: Dine-N-Dash 2018

Kaylee Dugan, Nicholas Karlin and Clarissa VilondoJune 7, 2018

A food event unlike any other....

Eat & DrinkPhotosRestaurants & Bars 019 min read

Coco Beach First Look

Jose Lopez-Sanchez and Clarissa VilondoJune 5, 2018

Did you know David Hasselhoff was born in Baltimore? I did not until I checked the spelling of David Hasselhoff. ...

Eat & DrinkPhotosRestaurants & Bars 03 min read

Dream Jobs: Pia Carusone, Republic Restoratives

Kaylee Dugan and Jeff MartinJune 5, 2018

"When the sun is rising and the traffic isn’t bad, I'm like 'Go! Go! Go!' across a four lane highway with a forklift full of glass."...

Dream JobsEat & DrinkInterviewsPhotosRestaurants & Bars 021 min read

Giveaway: Dine-N-Dash 2018

Kaylee DuganMay 29, 2018

Do you like 1. Food 2. Cool people 3. Fighting world hunger? ...

Eat & DrinkRestaurants & BarsStuff To Do In DC 01 min read

Take a Boozy Tropical Vacation at Barrel’s PoliTiki

Kaylee Dugan and Clarissa VilondoMay 24, 2018

Where the slushee machines are always running and the jerk chicken flows like water....

Eat & DrinkPhotosRestaurants & Bars 05 min read

Filter Events

08sep(sep 8)10:00 am22(sep 22)1:00 pmOn-Location Photography: DC’s Public Sculpture and Architecture10:00 am (8) - 1:00 pm (22) S. Dillon Ripley Center

17sep(sep 17)10:15 am05nov(nov 5)1:00 pmIntroduction to Watercolor10:15 am (17) - (november 5) 1:00 pm S. Dillon Ripley Center

18sep6:30 pmAlison Krauss6:30 pm The Anthem

18sep6:30 pmAmos LeeCaitlyn Smith6:30 pm Lincoln Theatre

18sep7:00 pmFIDLAR - A North American Tour in 2018w/ Dilly Dally, Nobro7:00 pm 9:30 Club

19sep7:00 pmCar Seat Headrestw/ Naked Giants • Don Babylon7:00 pm 9:30 Club

Event Details

Toledo always knew he would return to Twin Fantasy. He never did complete the work. Not really. Never could square his grand ambitions against his mechanical limitations. Listen to his first attempt, recorded at nineteen on a cheap laptop, and you’ll hear what Brian Eno fondly calls “the sound of failure” – thrilling, extraordinary, and singularly compelling failure. Will’s first love, rendered in the vivid teenage viscera of stolen gin, bruised shins, and weird sex, was an event too momentous for the medium assigned to record it.

Even so, even awkward and amateurish, Twin Fantasy is deeply, truly adored. Legions of reverent listeners carve rituals out of it: sobbing over “Famous Prophets,” making out to ‘Cute Thing’, dancing their asses off as ‘Bodys’ climbs higher, higher. The distortion hardly matters. You can hear him just fine. You can hear everything. And you can feel everything: his hope, his despair, his wild overjoy. He’s trusting you – plural you, thousands of you – with the things he can’t say out loud. ” I pretended I was drunk when I came out to my friends,” he sings – and then, caught between truths, backtracks: ” I never came out to my friends. We were all on Skype, and I laughed and changed the subject.”

You might be imagining an extended diary entry, an angsty transmission from a bygone LiveJournal set to power chords and cranked to eleven. You would be wrong. Twin Fantasy is not a monologue. Twin Fantasy is a conversation. You know, he sings, that I’m mostly singing about you. This is Will’s greatest strength as a songwriter: he spins his own story, but he’s always telling yours, too. Between nods to local details – Harper’s Ferry, The Yellow Wallpaper, the Monopoly board collecting dust in his back seat – he leaves room for the fragile stuff of your own life, your own loves. From the very beginning, alone in his bedroom, in his last weeks of high school, he knew he was writing anthems. Someday, he hoped, you and I might sing these words back to him.

“It was never a finished work,” Toledo says, “and it wasn’t until last year that I figured out how to finish it.” He has, now, the benefit of a bigger budget, a full band in fine form, and endless time to tinker. According to him, it took eight months of mixing just to get the drums right. But this is no shallow second take, sanitized in studio and scrubbed of feeling. This is the album he always wanted to make. It sounds the way he always wanted it to sound.

It’s been hard, stepping into the shoes of his teenage self, walking back to painful places. There are lyrics he wouldn’t write again, an especially sad song he regards as an albatross. But even as he carries the weight of that younger, wounded Toledo, he moves forward. He grows. He revises, gently, the songs we love so much. In the album’s final moments, in those ” apologies to future me’s and you’s,” there is more forgiveness than fury.

This, Toledo says, is the most vital difference between the old and the new: he no longer sees his own story as a tragedy.

He’s not alone no more.

Time

(Wednesday) 7:00 pm

Location

9:30 Club

815 V ST NW, Washington, DC 20001

Cost

$25

Learn More

Calendar GoogleCal

19sep7:00 pmHyukoh 24 Tour - North Americaw/ Inner Wave7:00 pm U Street Music Hall

20sep7:00 pm9:00 pmFree Weekly Bingo w/ Union Market7:00 pm - 9:00 pm Union Market

20sep7:00 pmThe Buttertonesw/ Wild Wing7:00 pm U Street Music Hall

Event Details

Last year the Buttertones put out Gravedigging, but on their newest Midnight In A Moonless Dream, they’re digging deeper and discovering something dark. If Gravedigging felt like an oversaturated spaghetti-western desertscape, Midnight is much more biting—music made for the swampland that spit out Australia’s mad Scientists, or for the Mickey Spillane night city where the Cramps met all those garbagemen and werewolves. Or maybe the Buttertones are heading for an even more primal place: “Show more teeth / Bite your way in,” sings guitarist Richard Araiza. “You’re back in the jungle again!”

They’d started in 2011 as a trio of music-school misfits. Araiza, bassist Sean Redman and drummer/multi-instrumentalist Modesto ‘Cobi’ Cobiån all wanted to pursue something more than boring industry adequacy, and soon locked together their current five-piece line-up with sax player London Guzman and guitarist Dakota Boettcher. With Gravedigging, they leapt from backyard parties to back-to-back tours, including their first trip to Europe, and scored a Coachella slot for 2018. It was a year that made them sharper, stronger, even more sophisticated. And when they were ready to record, they were ready to do things differently.

Midnight was made in two flash sessions at Long Beach’s Jazzcats studio with Gravedigging producer Jonny Bell, whose genre-smashing record collection and appetite for experimentation made for a perfect match. (He’s really a guru, they say.) What was supposed to be a six song EP during the summer of 2017 bloomed into a full-length by the end of that December. Midnight was like a trust fall, the band says—leap of faith after leap of faith, cut to tape as it happened by a tight and tour-tested band. On this album, they’d decided, everything would be new—not just new sounds, like their first-ever string section, but new ways of working together and writing together. They worked on trust and instinct, by feeling instead of thinking. If it worked, they’d keep it, and if it didn’t, they’d burn it and move on. Gravedigging played like the soundtrack to a good heist movie, but Midnight was like the true story itself—a perfect and intricate crime, executed by a crew of professionals under cover of night.

On the vicious “Winks and Smiles,” the spirit of sax and violence that powered cult-classic L.A. punkers the Deadbeats suddenly comes to life; on the starked-out “You and Your Knife” and fog-and-smoke follow-up “Brickhead,” you’ll hear the cryptic echoes of Suicide or Bauhaus. It’s music made for dancers but also for doomed romancers, and you’ll hear it best on the pocket symphony “Eros,” which closes the album with Lynch-ian vision and power—here Araiza sings with almost startling passion, and if you don’t linger on the idea of graveyard angels in perpetual embrace, it’s a love song for the ages. This is the strong stuff, the kind that comes in an unmarked bottle and burns when it hits.

“It’s the darkness that brings us together,” laughs Guzman—in person, this is a band who prefer comedy to tragedy, even if they do claim to spend hours listening to Smiths records all day. But there’s still a tension and even a sinister new dimension on Midnight that the Buttertones never quite had before. Like lead single “C4,” which ignites like something from a New York no-wave song, with slashing sax and ferocious drums and a piano riff falling of a cliff before Araiza fights through the noise and gunsmoke, and what’s the very first word on the whole album? “Bang!” he shouts—and that says it all.

Time

(Thursday) 7:00 pm

Location

U Street Music Hall

1115 U Street NW Washington, DC, 20009

Cost

$15

Learn More

Calendar GoogleCal

Restaurants & Bars

Event Details

Event Details

Time

Location

Cost

Learn More

Event Details

Event Details

7-Session Daytime Course

Monday, September 17 to November 5, 2018 – 10:15 a.m. to 1:00 p.m.

Time

Location

Cost

Learn More

Event Details

Event Details

Time

Cost

Learn More

Time

Cost

Learn More

Time

Cost

Learn More

Event Details

Event Details

Time

Cost

Learn More

Time

Cost

Learn More

Event Details

Event Details

Time

Location

Cost

Event Details

Event Details

Time

Cost

Learn More