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Red Molly
Thursday 07/02
Red Molly @ The Hamilton Live
$18 / $25
"From Day One, Red Molly conjured musical magic. A decade later, they've honed their songwriting, their covers, their playing and, above all, their harmonies into something joyful and sublime." -John Platt, WFUV FM, Sunday Breakfast Americana powerhouse vocal trio Red Molly is known for their gorgeous harmonies, crisp musicianship, infectious songwriting, and warm, engaging stage presence. Laurie MacAllister (bass), Abbie Gardner (Dobro), and Molly Venter (guitar) weave together the threads of American music—from folk roots to bluegrass, from heartbreaking ballads to barn-burning honky tonk—as effortlessly as they blend their caramel voices into their signature soaring, crystalline three-part harmonies. Organic musicianship, a respect for the traditions of American music, and an obvious love of crafting music together lend a joyous atmosphere to their legendary live performances, and a natural balance to their studio recordings. Gracing stages from Denver to Denmark, from Australia to Austin, Red Molly is renowned for their live shows. Four-time featured artist at MerleFest, breakout stars at RockyGrass, and the darlings of the Bristol Rhythm and Roots Reunion, the "Mollies" bring audiences to their feet, whether it's on a grand festival stage or in an intimate concert hall. Their latest CD, "The Red Album", realized on May 27, 2014, was featured in USA Today and CMT Edge. It debuted at #1 on the Folk DJ radio chart and is currently at #10 on the Americana Radio chart, and climbing. "Femme Phenom! No root from the grand tree of music is left untouched - classic country heartbreak, undeniable swing, authentic folk, gospel rock with an edge, and Americana stomp. With smart production, a strong thread runs throughout the album and every note sung is upheld on cosmic harmony. Red Molly is unstoppable. Highly recommended." -Mary Sue Twohy, SiriusXM Satellite Radio
Jazz Is Dead feat. Alphonso Johnson, Jeff Pevar, Tom Constanten, Rod Morgenstern & Chris Smith
Wednesday 08/19
Jazz Is Dead feat. Alphonso Johnson, Jeff Pevar, Tom Constanten, Rod Morgenstern & Chris Smith @ The Howard Theatre
$30 / $35
"JAZZ IS DEAD promises to be one of the year's highlight events for the DEAD and jazz communities." - Ian D'giff/Long Island Village Voice "I haven't witnessed such a vibrant DEAD scene since JERRY's passing." - Steve Bloom/High Times on the Variety Playhouse show in Atlanta, GA "JAZZ IS DEAD not only exceeded my expectations (the crowd went wild!) but so did ticket sales. The show sold out and I hope we have JAZZ IS DEAD back to the House of Blues in the near future." - Michael Yerke/House Of Blues, Chicago, Ill "JAZZ IS DEAD would not normally be the first show I would choose to go to, or at least drive two hours for. I was, however sucked in. It is definitely a creation worth seeing, no matter what your musical taste." - Big Shout Magazine on the Keswick Thr. show in Phil., PA "You don't have to be a Deadhead to dig this musical event." - Natalie Davis, Baltimore City Paper "It was awesome to see such incredible musicians taking the DEAD'S music and spinning it into their own magical expression, putting a hip jazz twist into it." - Neil Wigenbach/KPFT, Houston, TX I. A BRIEF HISTORY OF THE MUSIC: Led by highly stylized, virtuoso guitar player JERRY GARCIA, San Francisco’s GRATEFUL DEAD formed in 1965. Their music was a unique amalgam of bluegrass, folk, blues, motown & rock and roll, evolving to later include elements of jazz - the latter particularly, as regarded their penchant for free-form improvisation. In their time, GRATEFUL DEAD were the highest grossing concert attraction in the history of the touring talent industry, an unexpected statistic, when measured against ‘mediocre’ record sales. There are two reasons to explain this: First, GRATEFUL DEAD performed more than anyone else - three major tours (approx. 100 shows) a year since the advent of ‘arena rock’ circa 1972. Whereas THE ROLLING STONES or U2 for example, easily out grossed THE DEAD in any calendar year, the latter two (as with any major attraction) chose to tour every three to five years on average. Beside the physical demands of the road, no arena/ stadium sized attraction would dare tour in consecutive years, fearing depletion of market demand from overexposure. Second, GRATEFUL DEAD played long shows (3 to 6 hours), consisting of two sets with an intermission - working from an active repertoire of over 100 original compositions and cover material ... reprised differently from show to show, in off times bizarre & unexpected medleys - segue ways interwoven with lengthy, jazz-like, ‘psychedlic’ improvisations & dynamic drum solos. Over the course of a thirty or forty city tour, no two shows would be alike. On top of all of this, the band allowed ... even encouraged the fans to tape record the performances - unheard of in a record industry whose chief fear was ‘bootlegging’. Yet, instead of 'bootlegging' (selling the clandestinely recorded tapes for profit), the fans codified the phenomenon ... recounted orally from fan to fan, musically from tape to tape. II. BACKROUND: On August 9, 1995, at the age of 53, JERRY GARCIA died from heart failure in Northern California, where he was born and began an American musical legacy that is sure to reverberate down through the generations. A short time thereafter, GRATEFUL DEAD announced that it's existence as an ongoing, performing entity, was at an end. In the wake of these events, some remaining DEAD members and close musical associates that had played with GARCIA in other projects endeavored to continue the journey. In 1996, the DEAD's BOB WEIR and MICKEY HART created "Further Festival," a revolving retinue of Artists that had admired GARCIA and the spirit his music embodied. This ensemble featured JAZZ IS DEAD co founder, WEATHER REPORT bassist ALPHONOS JOHNSON (who had previously toured and recorded with BOB WEIR). At the beginning of 2015, the surviving members of GRATEFUL DEAD announced historic “Fare Thee Well” (farewell) concerts) … inspiring JAZZ IS DEAD to reform and likewise celebrate GRATEFUL DEAD’s 50th Anniversary. III. OVERVIEW: JAZZ IS DEAD, "Explorations Into the Music of GRATEFUL DEAD” embarks from the compass point of GARCIA and company's most complex and audacious material, culled from many periods of their storied history. From there, the musical heading is unknown ... each performance, promising inspired improvisation and new discovery ... crafted by a line-up of stellar players.
Col. Bruce Hampton & The Aquarium Rescue Unit
Friday 08/14
Col. Bruce Hampton & The Aquarium Rescue Unit @ The Howard Theatre
$27.50 / $35
Referred to in a recent Relix feature as “The Jamband Velvet Underground,” the influential dada-jam trailblazers Col. Bruce Hampton & the Aquarium Rescue Unit will return to rattle the landscape this summer with a series of live performances – than band’s first since a much-talked-about 2011 reunion at the Georgia Theatre in Athens. With the daring, iconoclastic Hampton at the helm, the Aquarium Rescue Unit played a seminal role in fostering today’s vital, thriving improvisational music community. And their presence is still felt: Since Hampton and the band parted ways in 1993, the band’s members have gone on to both inspire and enliven the music of the genre’s most revered practitioners: Herring (guitar) with Widespread Panic,The Dead, Jazz is Dead, the Ringers, and his own solo project. Burbridge (bass) with his band the Peacemakers and with the Allman Brothers and the Tedeschi Trucks Band; and Sipe (aka Apt. Q-258, drums) with his own trio and collaborations with Phil Lesh, Béla Fleck, Susan Tedeschi, Trey Anastasio, Jazz is Dead, Alex Machacek, Debashish Bhattacharya, and many more. For these dates, the ARU will also be joined by keyboardist Matt Slocum, who performed with them at the 2011 Georgia Theatre show. Which leaves the good Colonel (retired)...a seismic catalyst of the first order, Hampton’s presence was first felt as a member of the cult Georgia ensemble the Hampton Grease Band. From there, Hampton – a mesmerizing blues-inflected vocalist, freewheeling guitarist, and caustic ringmaster – applied his boundless energy, cosmic wit, and fearless exploratory zeal to pursuits as varied as standup comedy, wrestling, and music ranging from free jazz to hillbilly blues. The Aquarium Rescue Unit coalesced during a weekly jam session in Atlanta before taking their act on the road, signing with Capricorn Records, and helping to found the first H.O.R.D.E. tour. “Bruce is a visionary that has enriched the life of anyone that's worked with him,” says Jimmy Herring. “He gives you an outlet that encourages finding your own voice, but he's quick to point out that freedom can be a prison…” “Being a part of Bruce's musical world is a liberating experience in that he entices the players to discover their true and full expression,” explains Jeff Sipe. “With Col. Bruce there's always the threat that something radically different is going to happen midstream,” Oteil Burbridge adds. Periodic Aquarium Rescue Unit reunions, both with and without Hampton, have taken place over the past two decades, but these shows represent the band’s first sustained run of dates since 2007. The sets will feature a mix of new and old material. Most crucially, every performance will be recorded for a possible live album release on the Abstract Logix imprint. While listeners and musicians are already salivating at the potential of this reunion, no one is more excited than the ARU members themselves. “While the youthful ARU was exciting live, I think the more experienced ARU can have more of an impact,” Burbridge reflects. Sipe concludes, “After 26 years, we’re all friends and are still inspired. Getting together again is for me a rare privilege and one that's filled with magic, because each of my friends are so brilliant and truly awesome.” When asked for his thoughts on the upcoming reunion, Hampton simply responded, “Activate.”