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Reverend Horton Heat & The Adicts Plus Special Guests The Creepshow
Monday 09/14
Reverend Horton Heat & The Adicts Plus Special Guests The Creepshow @ The Howard Theatre
$25 / $30
Reverend Horton Heat Loaded guns, space heaters, and big skies. Welcome to the lethal littered landscape of Jim Heath’s imagination. True to his high evangelical calling, Jim is a Revelator, both revealing & reinterpreting the country-blues-rock roots of American music. He’s a time-travelling space-cowboy on a endless interstellar musical tour, and we are all the richer & “psychobillier” for getting to tag along. Seeing REVEREND HORTON HEAT live is a transformative experience. Flames come off the guitars. Heat singes your skin. There’s nothing like the primal tribal rock & roll transfiguration of a Reverend Horton Heat show. Jim becomes a slicked-back 1950′s rock & roll shaman channeling Screamin’ Jay Hawkins through Buddy Holly, while Jimbo incinerates the StandUp Bass. And then there are the “Heatettes”. Those foxy rockabilly chicks dressed in poodle-skirts and cowboy boots slamming the night away. It’s like being magically transported into a Teen Exploitation picture from the 1950′s that’s currently taking place in the future. Listening to the REVEREND HORTON HEAT is tantamount to injecting pure musical nitrous into the hot-rod engine of your heart. The Reverend’s commandants are simple. And no band on this, or any other, planet rocks harder, drives faster, or lives truer than the Reverend Horton Heat. These “itinerant preachers” actually practice what they preach. They live their lives by the Gospel of Rock & Roll. From the High-Octane Spaghetti-Western Wall of Sound in “Big Sky” — to the dark driving frenetic paranoia of “400 Bucks” – to the brain-melting Western Psychedelic Garage purity of “Psychobilly Freakout” — The Rev’s music is the perfect soundtrack to the Drive-In Movie of your life. Jim Heath & Jimbo Wallace have chewed up more road than the Google Maps drivers. For twentyfive Psychobilly years, they have blazed an indelible, unforgettable, and meteoric trail across the globe with their unique blend of musical virtuosity, legendary showmanship, and mythic imagery. “Okay it’s time for me to put this loaded gun down, jump in my FiveOh Ford, and nurture my pig on the outskirts of Houston. I’ll be bringing my love whip. See y’all later.” - Carty Talkington, Writer/Director Rev your engines and catch the sermon on the road as it’s preached by everybody’s favorite Reverend. Don’t forget to keep an eye out for the 11th studio album from REVEREND HORTON HEAT, boldly titled Rev, due out January 21st. The Adicts The Adicts began life as the Afterbirth & The Pinz, in their hometown of Ipswich back in late 1975. They scored many Indie Chart hits in the Eighties, and are unbelievably still together, and still making great music, with the same line-up - Keith 'Monkey' Warren, vocals; Mel Ellis, bass; Pete Dee Davison, guitar; and Michael 'Kid Dee' Davison, drums - to this day. Newer members are John Scruff Ellis (Mel's brother) guitar & Dan Gratziani on violin. "I think we all started for different reasons," recalls Monkey, of their distant origins. "Pete and Kid moved to Ipswich from Sunderland were already playing on their own, using pillows for drums in the front room. Mel had just failed the audition for Nick Kershaw's band (too tall apparently) and I was a punk without a cause. Exactly what year that was may vary depending on who you talk to. Some say '75, some say '76. I think I have a flyer from March '76, but before that we had played our first show in a scout hut in Aldburgh, Suffolk - not exactly top of the list for all time top punk venues! We strung a rope across the room to keep the 'crowd' back and had a motor bike for a lighting rig. As far as our musical education goes, I think Pete took music at school, and Kid just liked to hit things. I don't know where Mel got his 'talent' from but it seems to run in the family. I still can't play anything." They soon changed their name to The Adicts and became known for their distinctive Clockwork Orange 'Droog' image, which, along with their urgent, uptempo music and light-hearted lyrics, helped set them very much apart from the rest of the genre. "We became The Adicts because The Pinz was such a shit name," deadpans Kid. "At the early gigs we just used to wear punk clothes, but never anything bought, like those posers who went down to Kings Road. After a while though, black came in and it all became boring, so we started to dress in white to be different, and 'Clockwork Orange' had been a major influence on us, though not for the violence, more the teenage angst..."
Musiq Soulchild
Sunday 10/25
Musiq Soulchild @ The Howard Theatre
$37.50 / $45
Philadelphia native Taalib Johnson a.k.a Musiq Soulchild, is a soul artist whose unique style blends R&B, Soul, Funk, Rock, Blues, Jazz, and Hip Hop, creating a sound unlike any other. “I consider myself a soul artist because it encompasses all genres of music!" Musiq states “I like to make music that means something to people, nowadays there are so many categories and labels, I just wanna make music that matters!” Musiq is the eldest of nine children “I always saw myself as the black sheep of the family; I was always doing my own thing!” At a young age Musiq decided he would not continue his high school education, this proved to make his road to success much more difficult "I really wish I stayed, cause even though I didn't like it that much I still could've taken advantage of the many resources that being in school has to offer!” When Musiq was 17 he left home to live life on his own terms, finding himself having to depend on the kindness of friends, and sometimes strangers, as he struggled with everyday survival "Man, I did what I had to, I slept on couches, the bus, the train, the park, whatever, it didn't matter, I just knew things wasn't gonna be that way forever!” It was during that time Musiq started to build a reputation for being musically gifted, beat boxing for MC's, free styling on the open mic circuit, scatting at a jazz club, or just performing a cappella in the streets of Philadelphia, which is where he got the name " Musiq " and later he added " Soulchild " which is intended to respect and represent the legacy and traditions of past great soul stars. Musiq was introduced to the world in 2000 with his platinum debut album, Aijuswanaseing (I Just Want to Sing), which included the Billboard Hot R&B/Hip Hop single, “Just Friends”. Musiq’s second single, “Love”, spent 22 weeks on the Billboard Hot 100 charts and has been described by many as a classic. Musiq’s 2002 album, Juslisen (Just Listen), debuted at number 1 on the Billboard Charts and quickly went platinum with hit singles, such as “Halfcrazy” and “Dontchange”. By the drop of his third album, Soulstar, in 2003, Musiq had established himself as one of the top R&B/Soul artists of his time. Soulstar included the hot singles “Forthenight” and “Whoknows”. A fter a four year break and changes in Managementto: Solqi Management and record label to: Atlantic records, Musiq knew that, in order for his success to continue, his sound would have to reflect his personal growth and journey. In 2007 Luvanmusiq (Love and Music) was released and included the hit singles “B.U.D.D.Y.”, “Teach Me”, and “Make you Happy”. Musiq Soulchild has had 2 platinum albums, 2 gold albums and 7 hit singles. He has received awards from Billboard, BET, ASCAP, BMI, and Soul Train. Musiq has also earned award nominations from MTV, American Music Awards, NAACP, and 9 Grammy nominations, including 3 for his 2007 album Luvanmusiq. Besides being a successful recording artist, Musiq is notable for his creative and unique way of titling his albums and songs. In addition to being a platinum selling artist, Musiq has garnered TV and print ads from Mc Donald’s, GAP, Coca Cola, Levi Strauss, and Nike. All of this talent, hard work, and determination have allowed Musiq to flourish into one of the few R&B soulful artists that still exist.