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New York City
Free Late Night Music in The Loft with 19th Street Band @ The Hamilton Live
The 19th Street Band has had the honor of sharing the stage with country music stars such as Craig Morgan and Chuck Mead. They have opened for Rascal Flatts and Toby Keith at Jiffy Lube Live as well as Grammy Award-winning Western Swing icons Asleep at the Wheel at The Birchmere. The band recently appeared at the annual Marine Corps Marathon in DC and performed along the marathon’s route for its 20,000 runners. They have also toured Ireland and Mexico and have appeared at such venues as the Strathmore, Jammin’ Java, Rock & Roll Hotel, The Washington Folk Festival, Tootsie’s Orchid Lounge in Nashville, Hill Country BBQ in NYC, and the Hard Rock Café in Washington DC.
Savion Glover @ The Howard Theatre
$35 / $40
Famous tap dancer, choreographer, and actor Savion Glover is the epitome of a living legend. Born in 1973, the tapping marvel has graced the stage since childhood. He set a record as the youngest person ever to receive a scholarship in the Newark Community School of the Arts. Before he was a teenager, Savion made his mark starring in the leading role in the Broadway musical The Tap Dance Kid. Savion Glover developed his own dancing style he dubbed "free style hard core." The Tony Award winning dancer has starring roles in major motion pictures like "Tap" (with Gregory Hines & Sammy Davis Jr.), "Happy Feet", "Happy Feet 2" & Spike Lee’s “BAMBOOZLED”. He also starred alongside Gregory Hines in "Jelly's Last Jam", a role for which he made history as the youngest ever recipient of a National Endowment for the Arts grant. As a choreographer, Glover's work has helped maintain tap dancing as an art form in the modern dance world. His starring role in the musical Bring in 'da Noise, Bring in 'da Funk, which he also choreographed, debuted on Broadway in 1996. The musical chronicles events in African-American history and brought Savion a Tony for best choreographer. Glover was made known to the younger generation with recurring appearances on "Sesame Street." He also holds the credit as the live captured dancing motion behind Mumble the penguin in the Disney film "Happy Feet." Savion also served as co-choreographer for the film. Glover's quick steps and amazing rhythms continue to influence the lives of young people. His production company tours schools across the country, spreading enthusiasm for tap dancing and cementing his place in history.
Big Daddy Kane & Rakim @ The Howard Theatre
$29.50 / $35
Big Daddy Kane On September 10th, 1968, Bed Stuy, Brooklyn gave birth to one of hip hop's most lyrical, diverse, innovative, and trendsetting MCs. He is known by many attributes - Dark Gable, Black Caesar, and King Asiatic Nobody's Equal - but he is known to the world as Big Daddy Kane. This baritone-voiced, stylishly dressed MC was the first one to bring the "playa" element to hip hop, and along with Bobby Brown and Michael Jordan, he put dark skin back on the map. Kane was the first rapper to ever hold not one, but two sold-out shows at the world-famous Apollo Theater for women only. In the words of the late Big Pun, Kane is "not only a playa, he just crush a lot" - a reference to his rapid-fire, metaphoric battle rap style. Kane's influences are Muhammed Ali, Marvin Gaye, and his rap hero Grand Master Caz of the Cold Crush Brothers, but once dancers Scoob Lover and Scrap Lover join him on the stage, you can clearly see the James Brown and the Famous Flames influences as well. With several Gold albums to his credit, Kane has enjoyed a long career, including the releases Long Live The Kane ("Ain't No Half Steppin'" and "Raw"), It's A Big Daddy Thing ("Smooth Operator," "Warm It Up, Kane," and "I Get The Job Done"), and Taste Of Chocolate ("Hard Being The Kane" and "All Of Me," a duet with the late legendary Barry White). As a powerful figure in the rap game, he has also collaborated with many artists, including Public Enemy, Ice Cube, Heavy D, Patti LaBelle, and Quincy Jones. All of these accomplishments combine with a Grammy Award to make Kane a true hip hop legend. Rakim In 1986, Rakim started to work with New York-based producer-DJ Eric B. The duo—known as Eric B & Rakim—is widely regarded as among the most influential and groundbreaking of hip-hop groups, due in no small part to Rakim's technical abilities. The duo’s first single, "Eric B. Is President" was a success and got the duo a contract with the fledgling Island Records sub-label 4th & B'way. The duo’s next single, the smash “I Know You Got Soul,” sparked early debate on the legality of unauthorized, uncredited sampling when James Brown sued to prevent the duo's use of a fragment of his music. It also established Brown's back catalog as a hip musical mining ground for a new generation of hip-hop programmers. Their first full album, Paid In Full, was released in 1987. causing a stir in the hip-hop music world due to its novel sound, approach, and subject matter. Rakim pioneered a practice previously unknown to hip-hop called internal rhyming. Already an important aspect of traditional poetry, where rhymes could be found throughout the bar of a lyric which added to the rhythmic complexity of the song: "I keep the mic at Fahrenheit, freeze MCs, make 'em colder/The listeners system is kicking like solar/As I memorize, advertise like a poet/Keep it goin', when I'm flowin' smooth enough, you know it's rough." Instead of two rhyming syllables within two lines at the end of the lines, as we would find in the older hip-hop style displayed above, we have 18 rhyming syllables in just four lines. Rakim also introduced a lyrical technique known as cliffhanging and popularized the use of metaphors with multiple meanings. His songs were the first to really impart hip-hop music lyrics with a serious poetic device sensibility. Eric B & Rakim went on to produce three more successful albums, all now considered hip hop standards. Prior to Rakim, hip-hop music lyricism was usually rather simple from a structural standpoint and the ideas it expressed were easy and direct. Many hip-hop artists (both underground and mainstream) acknowledge a huge debt to Rakim's innovative style. He is given credit for popularizing the heavy use of internal rhymes in hip-hop—rhymes that are not necessary to the overall rhyme scheme of the verse, but occur between the endpoints of lines and stanzas, serving to increase the alliteration, assonance, and emphasis of the rhyme. He is also credited for the jazzy, heavily stylistic, seemingly effortless delivery of his lyrical content.
DC Brau Debut Party with Rob Cantrell @ DC Improv
The Improv is adding DC Brau to its beer lineup, and we're celebrating the best way possible. "Hopped Up Hilarity" features great comedy from Rob Cantrell (a DC native!) and great beers on the menu. Even better, you can be part of the show -- share your best drinking story on stage and you might win awesome prizes (e-mail firstname.lastname@example.org for more info if you want to compete). Come party with two of DC's finest institutions for a night of beer and laughs.
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