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New York City
Mac DeMarco @ The Howard Theatre
$25 / $30
In 2015, the talent for creating a prolific output of exceptional music is almost a curse. Press people will tell you that there’s a bottleneck of too many artists covered by too few media outlets who always want to talk about something new. Managers will tell you that there’s too much money to be made on the road, so the album cycle goes on and on to support that. Artists may even feel pressured by reviewers and themselves to go into a deep stasis, only to emerge again when they’ve reinvented themselves into a newly revamped and retooled model, as opposed to just capturing time in a bottle and offering more to their catalog. At times, even fans have adopted this rule as well and are almost shocked when their favorite artist is able to release an LP already after two and a half or three years of waiting (let’s call this the MBV-effect). Lucky for us, Mac DeMarco is old school in his approach: when Mac wants to make a record and he has the songs ready, he makes it. Like the days of Steely Dan, Harry Nilsson or Prince releasing a classic every year (or less) comes Mac DeMarco’s Another One, a Mini-LP announced almost one year to the date of the meteorically successful Salad Days. The album was conceived and recorded entirely by Mac in a short period of time between a relentless tour schedule. At his new place in Far Rockaway, Queens — a neighborhood as east as you can possibly be before hitting Long Island — you can live in relative isolation despite technically still being in New York City. This left Mac with nothing more to do with his down time than to make music. Another One is an eight track release of brand new songs, freshly written for this release and each of which expand the arsenal of Mac’s already impressive catalog. Centered around a pump-organ riff and lilting vocal melody that is somehow both haunting and warm, “A Heart Like Hers” is a track that shows the maturity of Mac’s progression as songwriter. It’s a little bit more refined, a little bit more sophisticated, but nonetheless still retains the guts and soul of any classic Mac track. Opener “The Way You’d Love Her” has a playful swing to the chords and a guitar solo that wouldn’t be out of place on a mid-period ‘Dead’ LP, Mac’s new favored listening past time. The overall feeling of the LP is lost love, or perhaps love never found, a topic that the world never tires of and one Mac can move through without it being a dour and somber experience. Title track “Another One” and stand out “Without Me” exhibit this bittersweet sensibility in lyrical and musical context, both melancholic and romantic, blurring the line between happy or sad nostalgia. The record leaves you with the same satisfaction as an old Bogart movie: he’s still the hero, but he doesn’t quite get the girl. It’s odd that despite working at the same pace as artists like Creedence, The Byrds and The Rolling Stones, coupled with an equally unending schedule of touring, press and recording, Mac is still labeled as a slacker. With two full-lengths and two EPs released and hundreds of sold out shows performed in the last several years, a recent late night television debut on Conan following a special guest performance on The Eric Andre Show, it seems, as Mac DeMarco nears his 25th birthday, there’s not a slack bone in the man’s body, besides maybe his a penchant for wearing comfortable clothes. You need comfortable clothes to work this hard anyway. Great singer/songwriters (Elton, Joni, Neil) don’t need to reinvent themselves; they just need to keep going and let the songs out in the world. If you’re like me and don’t think it’s been too soon since Salad Days – and you’re actually about to freak if you don’t hear more — here’s Another One.
Deafheaven @ The Howard Theatre
$20 / $22
Deafheaven is a California-based act that has garnered acclaim for their signature hybrid sound of black metal, shoegaze, and post-rock. On October 2 the band will release their next album New Bermuda on ANTI-. George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous releases. Clarke says that he came up with the idea of “New Bermuda” to describe a new destination in life, a nebulous point of arrival, and an unknown future where things get swallowed up and dragged into darkness. The album artwork for New Bermuda is an oil painting, dense in brush strokes of darker tones and deep blues, by Allison Schulnik. The layout was designed by art director Nick Steinhardt. Formed in 2010 in San Francisco, California, the band has released two studio albums on Deathwish; Roads to Judah in 2011 and their lauded Sunbather in 2013. Sunbather received accolades from NPR on their Favorite Albums of 2013 list, a coveted Best New Music at Pitchfork, the Best Metal Album of 2013 per Rolling Stone, a 9/10 star review from Decibel Magazine, and it was the highest rated album of 2013 according to Metacritic. ANTI- is proud to announce the signing of Deafheaven, a California-based act that has garnered acclaim for their signature hybrid sound of black metal, shoegaze, and post-rock. On October 2 the band will release their next album New Bermuda. George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous releases. Clarke says that he came up with the idea of “New Bermuda” to describe a new destination in life, a nebulous point of arrival, and an unknown future where things get swallowed up and dragged into darkness. The album artwork for New Bermuda is an oil painting, dense in brush strokes of darker tones and deep blues, by Allison Schulnik. The layout was designed by art director Nick Steinhardt.
DECLASSIFIED: Carnival of Sins featuring Storm Large & Hudson Shad with the National Symphony Orchestra @ Kennedy Center Concert Hall
A lead singer with Pink Martini, Storm Large is a "sensational" (The New York Times) entertainer in her own right. She performs cabaret songs plus Kurt Weill's wickedly delightful The Seven Deadly Sins in concert with all-male vocal quartet Hudson Shad. Led by "talented young American conductor" (The New York Times) James Gaffigan, the program also includes Richard Rodgers's fanciful Carousel Waltz. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ABOUT DECLASSIFIED: FRIDAYS AT 9 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ The secret is out! Some of the NSO's Friday night programs are taking on a whole new vibe with a fresh mix of sound and vision plus exciting pre- and post-concert activities, all at a great price. For the 2015–2016 season, the NSO has "unlocked" some of its standard Friday programs and opened them up to fresh concepts in concert-going with DECLASSIFIED: Fridays at 9. Not your typical Concert Hall experience, these late evenings will include an eclectic mix of classic and modern sounds, special guest artists, dynamic multimedia, audience interaction, and pre- and/or post-performance activities. They'll begin at 9
. (an hour later than usual) and last 60–75 minutes (shorter than a typical program), all at a great price for making memorable nights out with a date or a group of friends! If you heard about the NSO's concert at
.'s Echostage in January 2015, you'll know exactly what to expect at these new concerts: - Come as you are: straight from work, in jeans, or whatever suits your fancy. Be ready to move! - Arrive early and/or stay after the concert for added fun to be announced--each night will be a different experience. - Grab drinks or snacks anytime and bring them back into the Concert Hall. - Most importantly, open your mind to a music experience where anything can happen! Performance Timing: Approximately 85 minutes, with no intermission
Beautiful -- The Carole King Muisical @ Kennedy Center Opera House
"OUT OF CONTROL AMAZING!" --The Wall Street Journal "INSTANTLY JOINS THE RANKS OF THE IRRESISTIBLE! Take my word, the earth under the theater moves." --The Huffington Post Beautiful--The Carole King Musical Long before she was Carole King, chart-topping music legend and 2015 Kennedy Center Honoree, she was Carol Klein, Brooklyn girl with passion and chutzpah. She fought her way into the record business as a teenager and, by the time she reached her 20s, had the husband of her dreams and a flourishing career writing hits for the biggest acts in rock 'n' roll. But it wasn't until her personal life began to crack that she finally managed to find her true voice. Beautiful--The Carole King Musical tells the inspiring true story of King's remarkable rise to stardom--from being part of a hit songwriting team with her husband Gerry Goffin, to her relationship with fellow writers and best friends Cynthia Weil and Barry Mann, to becoming one of the most successful solo acts in popular music history. Along the way, she made more than beautiful music; she wrote the soundtrack to a generation. Featuring a stunning array of beloved songs written by Gerry Goffin/Carole King and Barry Mann/Cynthia Weil--including "I Feel the Earth Move," "One Fine Day," "(You Make Me Feel Like) A Natural Woman," "You've Got a Friend," and the title song--Beautiful took home two 2014 Tony Awards as well as a 2015 Grammy for Best Musical Theater Album and features a book by Tony and Academy Award–nominated writer Douglas McGrath, direction by Marc Bruni, and choreography by Josh Prince. Recommended for age 10 and up. Performance Timing: Act One - 70 min.; Intermission - 10 min.; Act Two - 57 min.
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