Aroundtheweb
DC
Reverend Horton Heat & The Adicts
Friday 08/14
Reverend Horton Heat & The Adicts @ The Howard Theatre
$25 / $30
Reverend Horton Heat Loaded guns, space heaters, and big skies. Welcome to the lethal littered landscape of Jim Heath’s imagination. True to his high evangelical calling, Jim is a Revelator, both revealing & reinterpreting the country-blues-rock roots of American music. He’s a time-travelling space-cowboy on a endless interstellar musical tour, and we are all the richer & “psychobillier” for getting to tag along. Seeing REVEREND HORTON HEAT live is a transformative experience. Flames come off the guitars. Heat singes your skin. There’s nothing like the primal tribal rock & roll transfiguration of a Reverend Horton Heat show. Jim becomes a slicked-back 1950′s rock & roll shaman channeling Screamin’ Jay Hawkins through Buddy Holly, while Jimbo incinerates the StandUp Bass. And then there are the “Heatettes”. Those foxy rockabilly chicks dressed in poodle-skirts and cowboy boots slamming the night away. It’s like being magically transported into a Teen Exploitation picture from the 1950′s that’s currently taking place in the future. Listening to the REVEREND HORTON HEAT is tantamount to injecting pure musical nitrous into the hot-rod engine of your heart. The Reverend’s commandants are simple. And no band on this, or any other, planet rocks harder, drives faster, or lives truer than the Reverend Horton Heat. These “itinerant preachers” actually practice what they preach. They live their lives by the Gospel of Rock & Roll. From the High-Octane Spaghetti-Western Wall of Sound in “Big Sky” — to the dark driving frenetic paranoia of “400 Bucks” – to the brain-melting Western Psychedelic Garage purity of “Psychobilly Freakout” — The Rev’s music is the perfect soundtrack to the Drive-In Movie of your life. Jim Heath & Jimbo Wallace have chewed up more road than the Google Maps drivers. For twentyfive Psychobilly years, they have blazed an indelible, unforgettable, and meteoric trail across the globe with their unique blend of musical virtuosity, legendary showmanship, and mythic imagery. “Okay it’s time for me to put this loaded gun down, jump in my FiveOh Ford, and nurture my pig on the outskirts of Houston. I’ll be bringing my love whip. See y’all later.” - Carty Talkington, Writer/Director Rev your engines and catch the sermon on the road as it’s preached by everybody’s favorite Reverend. Don’t forget to keep an eye out for the 11th studio album from REVEREND HORTON HEAT, boldly titled Rev, due out January 21st. The Adicts The Adicts began life as the Afterbirth & The Pinz, in their hometown of Ipswich back in late 1975. They scored many Indie Chart hits in the Eighties, and are unbelievably still together, and still making great music, with the same line-up - Keith 'Monkey' Warren, vocals; Mel Ellis, bass; Pete Dee Davison, guitar; and Michael 'Kid Dee' Davison, drums - to this day. Newer members are John Scruff Ellis (Mel's brother) guitar & Dan Gratziani on violin. "I think we all started for different reasons," recalls Monkey, of their distant origins. "Pete and Kid moved to Ipswich from Sunderland were already playing on their own, using pillows for drums in the front room. Mel had just failed the audition for Nick Kershaw's band (too tall apparently) and I was a punk without a cause. Exactly what year that was may vary depending on who you talk to. Some say '75, some say '76. I think I have a flyer from March '76, but before that we had played our first show in a scout hut in Aldburgh, Suffolk - not exactly top of the list for all time top punk venues! We strung a rope across the room to keep the 'crowd' back and had a motor bike for a lighting rig. As far as our musical education goes, I think Pete took music at school, and Kid just liked to hit things. I don't know where Mel got his 'talent' from but it seems to run in the family. I still can't play anything." They soon changed their name to The Adicts and became known for their distinctive Clockwork Orange 'Droog' image, which, along with their urgent, uptempo music and light-hearted lyrics, helped set them very much apart from the rest of the genre. "We became The Adicts because The Pinz was such a shit name," deadpans Kid. "At the early gigs we just used to wear punk clothes, but never anything bought, like those posers who went down to Kings Road. After a while though, black came in and it all became boring, so we started to dress in white to be different, and 'Clockwork Orange' had been a major influence on us, though not for the violence, more the teenage angst..."
W.H.A.T. Band Reunion Show
Sunday 09/20
W.H.A.T. Band Reunion Show @ The Howard Theatre
Free
The brain child of Gogo Legend Christian Black “Rapper Dude” also known as “Rah” formerly of Northeast Groovers, in Washington DC., the W.H.A.T. Band, an acronym for Washingtons Hottest And Talented, was formed in 2000 as a new musical venture to bring his iconic Gogo career into its next phase and seal his contribution to Gogo Music and his status as the most resilient and versatile Lead Talker in Gogo History. After a few phases of direction and membership, the artists and musicians that make up the WHAT Band (what fans now call WHAT Band 2.0) who had the fastest and most impactful meteoric rise from 2004-2012 were comprised of himself, Michelle Blackwell (Co-Manager/Vocalist/Rapper/Lead), Calvin Henry “Killa Cal”/Rapper, Stephon Green/ Vocalist, Michael Harris ”Duce 7”/Percussionist, Jermaine Chase “Rocket Rob”/Conga/RotoTom/Timbale Percussionist, Andrew Wilson “Chuckin’ Drew”/Lead Guitar Player, Rico Munson/Bass Guitar, Joel Sturdivant “Smokin’ Joe”/Drummer, David Cleveland/Keyboards and Vincent Watson “V-Man”/Keyboards. This innovative and creative staple in Gogo Music, W.H.A.T. Band, was known for having a sound and a party atmosphere that separated them from everything else going on within the Gogo Industry, from 3 sets per show, R&B/Crank/Bounce and Rock, W.H.A.T. Bands fans, aptly named “Crank Nation” came to expect a different standard of performance, song selections and diversity, and creativity in theme and delivery from their favorite band. With original songs like “Crystal Skate”“Rock and Roll Bounce Beat”, “Reminsice” ,“09 ”, “That’s my car” and “Carry Out Beat”, as well as classic remakes/covers of songs like “Irreplaceable”, “Hard in the Paint”, and “Drop it Low”, W.H.A.T Bands trendsetting aesthetic helped make them the hottest band in the DMV in the mid to late 2000’s. , landing them the WKYS Gogo Award for Best Female in 2007, The 2008 DC Music Gogo Award for Best Lead Talker, and Band of the Year, and the 2009 DC Music Gogo Award for Best Rapper. The members of this band have all decided, after popular demand to bring all the members, some who have gone on to other bands, moved to other states and/or started other projects, to come together for one night only to commemorate their accomplishments and party with their fans like they used to at the Classics, CFE, LaPearl, Safari Steakhouse, The Tradewinds, Legends and Club Elite on Sunday, September 20th Live at the Howard Theater from 10pm-2am.
Saxon & Armored Saint
Tuesday 09/15
Saxon & Armored Saint @ The Howard Theatre
$27.50 / $35
Saxon Packing an armoury of steel-coated riffs and songwriting swagger, British hard rock legends Saxon are releasing their 19th studio album titled Call To Arms. Recorded at Chapel Studios in Lincolnshire, UK and Brighton Electric Studios in Brighton, UK, the 11-track album was co-produced by singer/songwriter Biff Byford and Toby Jepson (Little Angels). Featuring Byford on lead vocals, Paul Quinn and Doug Scarratt on guitars, Nibbs Carter on bass and Nigel Glockler on drums, Call To Arms is bang on-the-money brilliant Saxon music, a confi dent embrace of the aura and writing values from their early years married perfectly to a modern Saxon crunch. The first edition digipack version of Call To Arms will also contain a free bonus CD featuring 7 songs recorded live at Saxon's historic performance at Castle Donington 1980. Armored Saint Armored Saint was formed in 1982 by brothers Gonzo Sandoval (drums) and Phil Sandoval (guitar), and guitarist David Prichard, while still enrolled at South Pasadena High School. Next to join were singer John Bush and bassist Joey Vera. While writing and recording rough four-track demos for their next album Symbol Of Salvation, guitarist Dave Prichard was diagnosed with leukemia. Prichard succumbed to the disease before recording sessions for Symbol Of Salvation began. He was replaced by Jeff Duncan. Following the successful Symbol of Salvation tour, John Bush was offered the lead singer position in the thrash metal band Anthrax. Unsure of Armored Saint's future, Bush accepted the job. The remaining members decided to call it quits and Armored Saint was officially disbanded. In 1999, with Anthrax on temporary hiatus, John Bush and Joey Vera decided to reform Armored Saint. The entire Symbol of Salvation lineup returned to the studio, and in 2000 the album Revelation was released. The band recently finished recording their new album titled La Raza, which was released on March 16th 2010.